Sunday, May 6, 2012

The BCC did repay me


hat wasn't actually going, or at least not for two or three days, which would have
been a bit tricky with the first round starting the next day. We were all rushing
around. Dave Norwood was the captain and he went off to British Airways and
tried to persuade them to give us free tickets. In the end we managed to find some
seats on a Croatian airline and 1 put all the tickets on my visa card, as no one else
had a high enough limit. The BCC did repay me; I have to say that, to be fair to
them.
Although it started off pretty badly, it all went well from then and we were lead‑
ing going into the last round and managed to win on tie-break against the Russians.
There was also another thing that happened. At this time Tara was at home and she
was basically filling in the pond in the garden. And on the day that we were actually
winning the gold medal on tie-break she found the Koi carp that 1 now have over
there, Alamo.
(Mickey points to his bilge fish lank, and the massive Kol Alamo, which always has a calming
and somewhat hypnotic Oa on dinner guests).
So 1 think that it was finding the fish that enabled England to win the European
Team Championship.
One of my most recent money-making ideas is chess Trivial Pursuit. Would
this appeal to you or do you like to completely separate chess and personal
time?
I'm not too big on thinking about chess when I'm not playing or working on it, but
it does sound like it might be fun. I don't think that I'd play too often but I might
try it a couple of times.
Do you seek to find beauty or simply victory?
I'm not interested in beauty too much when I'm playing; I'm just looking to win the
game.
What do you consider to be your best game?
There aren't too many games that I consider to be great from start to finish; it's
difficult to say. I quite like my game against Ivanchuk, quite a few years ago now,
just because at some stage he ends up in zugzwang with quite a lot of pieces on the
board. It's quite pretty. I would hope to play a better one, but wouldn't we all.
Michael annotated this game himself in Chess in the Fast Lane. I have included
some of his original annotations, which are marked MA and written in italics.
12

Michael Adams


Michael Adams
You have all of these amazing qualities as a chess player, but what do you
consider to be your greatest strength?
Like I said before, 1 think that I'm a pretty practical player and I'm pretty reasonable
in all aspects. I don't have too many obvious weaknesses. I think I'm sort of an all‑
round player and that's perhaps my greatest strength.
At the other end of the spectrum, what was your worst blunder and what
Ad you learn from it?I
 don't know if I've got one particular blunder, but I think that in general I've learnt
from the mistakes that I've made over a period of time. Particularly in tactical posi‑
ts, where my concentration levels weren't high enough. I know now the types of
positions that I tend to make errors in, particularly calculation, heavy positions; I
dicdicate more time to these positions and decisions and check things more care‑
flay There's not one particular blunder, but a number of games and a pattern that I
Nks recurring.
But I suppose that one of my worst blunders. was playing for England in the
Olympiad in Novi Sad (1990), where I dropped .a rook against Kozul. He played for
the `home' team so I was in front of about three or four thousand spectators, which
Ins rather tough. Then 1 was benched for the rest of the competition. It was a little
bit brutal but I was probably worse anyway, so it wasn't that bad.
an Michael and his father Bill's book, Chess in the Fast Lane, Bill recalls the consequence
se this loss.- Michael's disappointment sent him look for  revenge against Kozel. This can be a
any dangerous approach, although on this occasion it worked well and Michael registered three
sou against ibis opponent in the next twelve months, although be would skid* have swapped any
of them with the Olympiad result.
Hew important are tournament conditions to your play?
Obviously that's got to be a factor. I'm not really bothered about playing conditions
in the tournament hall, that really doesn't bother me, bad light, all this kind of thing.
Maybe if it's really hot I don't like it too much, but somehow things like lighting
sewer really bothered me. But the hotel is really important. If you're going to be
staying somewhere for a couple of weeks, if you've got a bad hotel room, that's go‑
 to be a problem. If it's very noisy, or very hot, if in general there arc problems
lath the hotel, that can be annoying. Normally the hotels that I stay in are pretty
seasonable. You don't really need deluxe conditions, just something fairly normal,
and usually the organisers do their best.
 is your most entertaining chess story?
nil talk about the time when England won the gold medals in Pula in the European
Tarn Championships 1997, which was a very special moment in my career, anyway.
Et an started off slightly disastrously, when we headed off to Heathrow airport and,
unfortunately, the British Chess Federation (BCF) had booked us tickets on a flight
11

Interview with a Grandmaster



How much truth is there to the well-established story that you managed to
reach an extremely high level without working too hard?
I think that I was pretty lucky. 1 reached a good level without doing too much work
but, at some stage, you're always going to hit a level that you can't really improve on
without work. I found that level and had a few years where I didn't work too much
and didn't really get anywhere. I think that in the past five or six years I've put a lot
more work in and I've progressed, but I certainly managed to get to 2600+ pretty
quickly without doing too much work, so that was pretty good.
IF you ;pork harder for something you enjoy it mon' — Michael Adams, New In Chess
1999.
Was that because you have the amazing ability to 'sense' exactly where
your pieces should be? Is this a skill that you're born with or is it something
that people can learn?
I think that you definitely have to have some sort of talent and, obviously, some‑
how did have that talent. I think that I've always been a good practical player as
well, very good at turning in good performances in games and being tough when
things don't go my way. A good temperament, that's one of the things that's
worked for me.
What do you consider to be your greatest achievement and where do you
see your ambitions leading you?
I've been pleased with the kind of rankings I've had, you know, 2700+ on several
rating lists. Also my performances in World Championships, both in Professional
Chess Association (PCA) and World Chess Federation (FIDE) events. I've normally
done pretty well and been in the late stages of all of those. Basically, I've done well
in the big events. That's what I aim to do really. I'm just carrying on, trying to im‑
prove and do as well as I can and seeing what happens. The chess world is in a state
of flux at the moment. It's difficult to know what's going to happen. My immediate
ambition would be the FIDE World Championships in Moscow, which should be
in a couple of months, if all goes according to plan.
How do you prepare for the monster tournament that is the World Champi‑
onship?
Normally I like to play a few games before, because it's a very quick format and you
can be eliminated after a couple of days. I'll be playing in the European Teams in
Leon and that will be quite useful, especially because it's with the same time limit,
which I don't have any experience with at all yet, so that's going to be a bit of a
problem this time. In general, you just have to be very well prepared because it's
very hard to say who you are going to play, what openings you will get. It's really a
test of your general strength and your overall level of preparation, as there's no way
to focus on one particular opponent — the pairings aren't even out yet and the

CHAPTER ONE I


CHAPTER ONE I
Michael Adams
Michael (Mickey) Adams' meteoric rise to fame was assured from the moment he
picked up his first chess piece At every stage of his chess career he seems to have
set new records. He was the first player to win the British Under-11 title with a per‑
fect 100% score, the third youngest player (behind Fischer and Kasparov) to
achieve a Grandmaster norm and the third youngest player to obtain the Grand‑
master tide. Not content with these accomplishments, just one month later (August
1989) Mickey put his new Grandmaster title to good use, at the age of seventeen
becoming the youngest ever British Champion.
1991 saw him conquer new heights when he became the first player to score the
maximum 200/200 in the British Grand Prix and also saw his Elo rating break 2600
for the first time. Although 2600 is certainly not to be scoffed at, he has now left
this level far behind, being ranked fourth in the world with a raring well over 2700.
Tell me about your chess playing background? How and when did your
chess career begin?
I was about six or seven when I started but I don't remember too much until I was
playing at school and in tournaments. I won my first tournament, so I suppose that
Wasn't too bad to start with. I won the Cornwall under-8 and under-10 titles when 1
was seven (I won them both; they were joint tournaments) so I guess I was pretty
good then. 1 was quite into chess.
What is your earliest chess memory?
I definitely remember that tournament, and playing in school matches and so on
around that time. The thing that I remember most is stalemating someone in a
King's Gambit. I thought that I had some kind of mate after sacrificing my queen
and it didn't actually work, so I sort of took all his pieces instead. I was rooks and
pawns and a queen up and I stalemated him, so it was an eventful game!
7

INTRODUCTION I


INTRODUCTION I


I was extremely nervous when I began to write this, my first book, until I realised
that it actually had absolutely nothing to do with me. The fact is that this book is
about two very specific sets of people: Grandmasters, without whose co-operation
and words of wisdom this would be a very short book and, secondly, you — the
players. You are the people who follow Grandmaster games and aspire, if not to
play like them, certainly to play better chess.
This book has demanded lengthy research, using many different sources. In this
technological age the Internet now presents us with an amazing wealth of informa‑
don and I've spent hours (when I should have been looking at facts and numbers)
reading through reams of endlessly entertaining and well-observed chess literature.
Here, for example, is one rather poignant excerpt that I felt 1 should share with you:
The Post Mortem: Many players specialise in this. Mary's the time I've swaggered into the
congress mom set aside.* this sort of thing with a defeated opponent (obviously 1 win all the time),
only. fir said opponent to demonstrate conclusively how unbelievably lucky I was. How they missed
fourteen wins in the first six moves alone, and how I managed to make a decent move on occasion
only through a combination of blind luck and Faustian chicanery.
The Over-the-Shoulder Comment: You know who you am. These people pass by your Post
Mortem, glance fleetingly at the board and then say something like 'Why didn't you do this? That
wins the Queen' or 'Oh, you missed a mate in Jive Mere.' Aare Even if these suggestions are
right, you an implying that in the past few seconds you have seen more deeply into the game than I
have, despite sweating over it, for four rotten hours, and finless your name begins with K and ends in
V that is not the case!...'— Mark Blackmore.
I have certainly gone through these emotions, as I suspect a large number of you
will have, but back to my research,
5

1.3 The Development of Development


1.3 The Development of Development
By the term 'development' various authors mean oversimplified advice. We will always have in‑
different things. Here I will be concerned with stances of both. To this day, for example, fixed
it in the simple sense of bringing one's pieces rules and principles are found in the annota‑
out, leaving questions of the quality of their dis­ tions of advanced players, and yet increasingly
position to be discussed case by case. SOMCS we also find remarks about ignoring those
emphasized the increasing number of openings rules. The play is the thing, and one can only
in which modem players choose not to bring use one's experience and judgement to discern
their pieces out in order to achieve other goals the changes (or lack of them) over the years.
such as establishment of a favourable pawn-       For all that, I think that the average player
structure. Increasingly, we see developmental might be surprised how ingrained certain prej‑
patterns that defy traditional conceptions. For udices were in classical times. One cannot
example, the same piece is moved repeatedly mistake the consistent aversion of top players
and ends up on a worse square (or even back at to openings that failed to develop the pieces
home) so as to provoke the opponent into a po­ quickly or to challenge the centre. Along those
tentially vulnerable situation. Or pieces are de­ lines, rules about how to conduct play took a
veloped to apparently awkward squares leading long time to fade from players' consciousnesses.
to inharmonious positions for purely pragmatic Rai, for example, is obviously serious when he
or prophylactic reasons. We also see pawn- talks about the prevalence in even the best of
grabbing sorties by the queen to the complete earlier games of "moves that seem self-evident
neglect of development, a strategy previously and which the master of routine made without
frowned upon by the textbooks.     reflection, because such moves were founded
Here I will be looking at these kinds of on rules of such long standing as to have be‑
strategies, but also at the evolution of attitudes come part of that master's flesh and blood". In
towards development in well-established posi­ the same vein, he finds that in the games of
tions. The latter is consistent with the idea of the hypermodern players, "moves that were
examining change that has become routine as earlier held to be self-evident, that every good
well as that which is exceptional. We will dis­ player made automatically, so to speak, must
cover an increasingly open-minded approach frequently be cast aside." As one of many illus‑
towards the problem of how to get the pieces trations, he emphasizes how the established de‑
out. velopmental rules were changing. He cites, for
First, however, I want to make a brief histori­ example, the multi-faceted rule that apart from
cal digression. Some of the rules and dogmatic a few moves by central pawns, each move of the
assessments that I discussed in SOMCS ap­ opening should develop a new piece, and it
peared in popular articles such as Steinitz wrote should be moved only once if possible (exclud‑
or in relatively elementary books such as Las­ ing captures, recaptures, and attacked pieces,
ker's 'Manual' or in other general works such of course). Reti finds counter-examples from
as those of Tarrasch. Others showed up in young players of his time, and with hindsight
high-level annotations. This raises the question we can see how the hypermoderns themselves,
of whether the writers themselves weren't nec­ by comparison with players today or even So‑
essarily adherents of the views expressed, but viet players in the 1940s, were extremely mod‑
were instead writing for the student. In fact, I est in their deviations from the old rules of
think that it's fairly easy to distinguish as one development. Today, Viktor Korchnoi can mis‑
reads these texts whether the author is ex­ chievously say "All obvious moves look dubi‑
pressing a fundamental belief or giving some ous in analysis after a game".

SPACE, CENTRE, AND EXCHANGING ON PRINCIPLE


SPACE, CENTRE, AND EXCHANGING ON PRINCIPLE      53
move, and shows again that there are no simple
rules) 16...acc8 17 thc2 eac5 18 t?ie3! and
White is ready to play taed5 with a standard ad‑
vantage. His e-pawn is protected in view of
18...tcxe4 19 ti)cd5! e5 20 Wixb61Lixd5?! 21
1?ixd5 eac3 22 ii(xd6!12)xd1 ? 23 iiiif64-sth6 24
xg2 25 4)6+ ith5 26 *Mt
9...bd7 10 :tad a6 11 'UM Mb8 12 b3
0-0 13 eh4
Again, White wants to exchange at least one pair of bishops, and maybe both, to limit the effectiveness of a black pawn-break with ...b5.Compare the Hedgehog games above. The g2‑bishop will often be exchanged by del, but White can also explicitly avoid its exchange by h3, allowing Black to double his pawns after •si xf3 in return for open lines and a throng bishop (this type of doubled f-pawn position is increasingly popular on both sides of the board; see Chapter 2, Section 2, on doubled pawns).13.0:te8!?
But now it's the cramped side that avoids ex‑changes, very much as Kasparov did versus
Kramnik  in a similar situation. The reader may recognize this idea from the Dragon Sicilian.14 h6 h815 h3!?
Perhaps 15 e4!?, since 15...b5?! 16 cxb5
axb5 17 b4 seems to favour White.
15...b5!? 16 cxb5 axl:o5 17 WM
Now 17 b4 is ineffective due to 17... xf3 18
exf3 ithe5.
17... xf3 18 exf3 12)1e5 19 g2 /c6 20
lith4 Via5 1/2-1/2

The Philosophy of
Exchanging in a Broader
Context
In the last two sections I have been particularly concerned with the issue of exchanges with relation to space. In part this arose because in collecting master annotations, I have often noticed comments such as 'Since he commands more space, White (Black) avoids exchanges’ or 'White (Black) follows the principle of seeking exchanges when one has less space'. On the other hand, I haven't seen the annotation
`Possessing more space, I sought simplification' or 'Confined to three ranks, Black avoids exchanges that would reduce his counter play', or anything similar. Yet in most of the games and notes above, we have seen exchanges favoring the side with more space. That is not to say that there aren't also plenty of examples that support the conventional wisdom. The points that no generality can be applied. An example of this attitude appears in Dvor‑etsky's book School of Excellence 3: Strategic
Play. The author, a favorite of mine, is one of the most insightful of theoreticians when writing about opening and middle game strategy. Nevertheless, even he is subject to classical oversimplification and, I think, errors about various old saws that we all grew up with. In his chapter on 'Advantage in Space' , he advocates the classical notion: "The side who has an ad‑vantage in space can freely maneuver with his pieces, switching them from flank to flank,
whereas his opponent often lacks scope for mandarin, and his pieces hinder one another.
From this it is clear that, if you have an advantage in space, it is advantageous to retain as
many pieces as possible, whereas in a cramped position, by contrast, you should aim for ex‑changes", soon adding "All these considerations are fairly obvious." But he then adds
scant evidence favoring, and some contradicting, his own thesis. Dvoretsky gives a single
game in which Black has surrendered the centre in a Pirc Defence resulting in a position struc‑ turally similar to those in the first chapter of this book. He criticizes Black, who has less space, for failing to exchange pieces and then White for encouraging exchanges on the very next move. Dvoretsky calls this "an astounding strategic mistake". That it is a mistake is clear, although White probably just missed the move sequence that followed the exchange and thus invalidated it. Be that as it may, one is left won‑
dering whether this example by itself is meant to justify the broad claim quoted above. After all, we have seen many counter-examples, particularly in this type of pawn-structure. The obvious problem with Dvoretsky's reasoning is that exchanges may simplify the task of the side with space, whose pieces are still more easily transferred from flank to flank, in some cases with greater or decisive effect. In Dvoretsky's next few examples, the issue of exchanging to free a cramped game isn't essentially involved,

transposition equivalent


(or its transposition equivalent 3...I21f6 4 eLlc3
exd4) or to support the e5-pawn by, for exam‑
ple, 3...1;f6 (3...1M7 4 c4 e7 seeks to trans‑
pose via 5eLic3 iZgf6, but allows an arguably
more effective 5 dxe5) 4 t?ic3 (4 dxe5 t2]xe4 is
theoretically sound for Black) 4...tad7, fol‑
lowed by      e7 and ...0-0.
Black originally played 3...exd4 or 3.. Alb 4
12)6 exd4 with considerable frequency (this ac‑
counted for almost half of the Philanders among
top players in the 19th century), aiming for the
following type of position:
3...exd4 4 ILixd4       leLic3 e7      c4
This move probably presents Black with the
most difficulty, although 6 14 is also popular.
After     e2 0-0 7 0-0 rte8, Black is cramped
but has play against White's e-pawn and pros‑
pects for a timely ...d5.
6...0-0 7 0-0 (D)

sometimes have avoided the above move-order
so as to side-step Black's attempt to destroy the
centre by 7.../Zxe4 ILixe4 d5; but in that case 9
d3 dxe4 10 xe4 retains the freer play; e.g.,
10... f6 11 c34Zd7 12 f4 12)1)6?! 13 lifc2 g6
14 Macil Wi1e7 15 :fel gave White a large ad‑
vantage in Lauber-I.Sokolov, Cap d' Aged rpd
1996. I think that one will find that with accurate
play by White in the ...exd4 line with    and
e7, Black remains somewhat cramped in a
perhaps acceptable position, but one that would
attract few top players.
Much later, in the 1970s and even up to the
early 1990s, some very high-ranked players as
Black played 3...exd4 4 ILixd4 g6, to post the
bishop on a more active square than e7 and gain
King's Indian-like pressure on the dark squares.
That has the drawback of leaving White's cen‑
tre intact and allowing an attack based upon g4,
h4-h5. Yet Black achieves concrete attacking
chances on the queenside. This variation was fi‑
nally worked out in some detail by means of
pretty games, such as the following:
Hennigan Westerinen
Gaudily 1995
1 e4 e5 2 9f3 d6 3 d4 exd4/Z\xd4 g6 5 9c3
g7 6 e3 91•6 7 ild2 0-0 8 f3 9e6 9 g4 e6
10 0-0-0 (D)

ff
if/    „
A close look at theory suggests that White
keeps a moderate but definite advantage here;
and indeed, his results have been good. On his
Philidor Defence CD, Bangiev shows that Black
fails to equalize after the active attempts 7...a6
and 7...c6, and he has difficulties with lack of a
target in a line like 7...Xe8 8 Mel f8 9 a3 (or 9
g5 c6 10 a3) 9...bd7 10 a2! thc5 11 f3.
One should compare such positions with those
after ...exd4 in the Ruy Lopez, analyzed in some
detail below. There is nothing inevitable about
such an assessment, and it may yet be that Black
will find some way to get satisfactory play. In
general, however, one can see why this kind of
set-up has become less popular for Black.
It's important that specifics work in addition
to the general logic. In this case, White may

There are several move-orders that reach
this position. Black still stands worse in the
centre, and his only freeing move, 10...d5, will
fall short after 11 g5 1;h5 12 421xe6 fxe6 13
exd5 exd5 14 ei)xd5. So he exchanges and then
launches a dynamic queenside attack, at the

1 Broader Issues and Their Evolution


1 Broader Issues and Their Evolution

1.1 Surrender of the Centre
The phrase 'surrender of the centre' usually re‑
fers to the classical situation after I e4 e5, in
which White plays d4 and Black plays ...exd4
rather than trying to protect his e5-pawn. This
arises, for example, in Philidor's Defence after
1 e4 e5 2 ielf3 d6 3 d4 exd4, and in the Ruy
Lopez after 1 e4 e5 2 12)f3 t?Ic6 3 b5lLif6
0-0 d6 5 d4 d7 642)6 exd4, among other se‑
quences. Surrender of the centre can also occur
when there are pawns on d4 and d5, such that
after White's move e4, Black plays ...dxe4 rather
than trying to shore up his centre. Nimzowitsch
approved of this strategy in the French Defence
line 1 e4 e6 2 d4 d5 3 eLc3 dxe4; and the open‑
ing that perhaps most successfully employs the
surrender of the centre is the Caro-Kann De‑
fence: 1 e4 c6 2 d4 d5 3 12)6 dxe4. In fact, one
could argue that the very existence of this last
venerable line means that no universal condem‑
nation of central surrender can be made.
Surrender of the centre is closely connected
to the topic of space. The side that surrenders
the centre gives his opponent influence over
five ranks, i.e., he controls only three ranks se‑
curely, his opponent controls four, and his own
fourth rank is disputed territory. For conve‑
nience, let's call the side that surrenders the
centre 'Black' (as is the case in the above exam‑
ples). In which cases is this justified? How
should Black proceed? Which side benefits from
exchanges? These issues are treated differently
in modem chess from the way they were in
classical times. Most significantly, the philoso‑
phy of when and when not to exchange pieces
has changed, and the decision to cede territory
to White depends more upon the immediacy of
central counterplay.
Surrender in the Double
e-Pawn Openings
Let's begin with examples of double e-pawn
lines involving ...exd4 that were relatively more
popular in the 19th and early 20th centuries:
3...exd4 in the Philidor Defence (1 e4 e5 2 if3
d6 3 d4) and an early ...exd4 in the Ruy Lopez
(1 e4 e5 2 12313 e?ic6 3 b5 with a later d4). To
identify some trends, I will use databases of the
top players who were at their best for various
epochs, as described in the Preface. The Phili‑
dor Defence was of course more popular in ear‑
her times. Among top players, it was used about
twice as often in the 19th century as in 1901-
1935, and about 8 times as often as in later
years (it has a small but steady following today,
with even top players dabbling occasionally).
e4 e5 2 1243 d6 3 d4 (D)
B
rrrrr,„„A
Black now faces a fundamental choice about
whether to surrender the centre with 3...exd4

14 CHESS STRATEGY IN ACTION


14   CHESS STRATEGY IN ACTION

and articles to form our own judgements about regard to the masters quoted above, this book's
such things.  description of how chess isactually played to‑
It's not difficult to see that individual state­ day simply doesn't apply to the times in which
ments of a philosophy, while they could be in­ they lived. And of late, while the traditional
dicative of changing attitudes in general, are process of assimilation is very much alive, it is
not necessarily so. Rather, ideas (and freedom also being bypassed and accelerated. This is
from the grip of ideas) tend to work their way due both to the increasingly pragmatic attitude
into the game slowly, traditionally by a player's towards the game and to the fact that players of
observation or even imitation of others' new all ratings have a greatly enhanced ability to ex‑
moves and strategies in the same or similar situ­ periment due to the availability of powerful
ations. Occasionally there is a wild and unfore­ chess engines.
seen breakthrough. But in either case, the new   Enough. There is more that I could say
strategies eventually become second nature, so about these esoteric topics, but in the final
that nearly all strong players and not just a few analysis, one can only assess such matters on
innovators will partake of this kind of play. the basis of practice. It's therefore time to en‑
Thus I have referred to chess ideas as being in ter into the world of modem chess strategy in
the 'everyday consciousness' of players. With action.

INTRODUCTION AND PHILOSOPHICAL CONSIDERATIONS 13


INTRODUCTION AND PHILOSOPHICAL CONSIDERATIONS 13

new imbalances) which are themselves interde­   Richard Forster provides a third example.pendent, all to assess a particular move some­ In a fascinating article about Simon Alapin,how, is just as complicated as trying to juggle Forster presents him as 'more modern than theand weigh the influence of rules and generali­ hypermoderns' : "Alapin's general attitude is theties. The reality is that a strong player is using same throughout: fewer words, but more varia‑previous experience and analysis to attend to tions! Whereas Tarrasch, according to Nimzo‑the specific details of a unique position and to witsch, presents 'classical' principles, and Nim‑assess its implicit imbalances on some sub- zowitsch tries to refute them by his 'modern'verbal level. The same basic argument applies principles, Alapin time and again asks for con‑to the theory that the master is thinking in terms crete moves. He shows how all principles canof trading advantages. Can we come up with re­ have only relative validity and are even oftenalistic examples of how that might be done? I contradictory... his refusal of a theoretical bat‑just don't find any of these models convincing tle in terms of abstract principles alone, and hisas a reflection of actual thought over the board insistence on always examining the position atby even moderately advanced players.  hand and giving concrete variations, makes himNot surprisingly, the idea of playing accord­ the most progressive of the trio ... Alapin was ining to concrete analysis of the position on the fact the one closest to the modem point of view,board instead of by rules and principles is not which values nothing except practical exam‑new. In SOMCS, I twice quoted Richard Rai ples and practical success?'from Modern Ideas in Chess, written in the Of course, such quotes have little to do withearly 1920s, with respect to the ineffectual ap­    the actual practice of chess at these players'plication of 'so-called' rules to a given position.  respective times. That can only be assessed byWithout doing so again, I would bring the last examining games and their common character‑sentence of his exposition to the reader's atten­   istics. Reti, for example, lived in pre-moderntion: "The source of the greatest errors is to be times and I don't believe that the philosophyfound in those moves that are made merely ac­ expressed by him above had more than limitedcording to rule and not based on the individual influence on his contemporaries; nor did heplan or thought of the player." himself realize how thoroughly the invested in‑Going even further back we have this won­ tellectual tradition in chess would be changedderful quote from Mikhail Chigorin, which was as the years went along. His own play had onlybrought to my attention by Macon Shibut: "I do certain modem characteristics and I stronglynot consider myself belonging to this or that suspect from his notes to games that he would`school' ;Tam  guided not by abstract theoreti­ have rejected a great deal of what we take forcal considerations on the comparative strength granted today. These considerations naturallyof pieces, etc., but only the data as it appears to also apply to the two earlier players. Alapin'sme in this or that position of the game, which play is impressively independent but not al‑serves as an object of detailed and possibly pre­ ways modem in the sense that I have outlined incise analysis Each of my moves presents itself this book. At any rate, his influence on the chessas a feasible inference from a series of varia­ of his era is not apparent. As for Chigorin, hetions in which theoretical 'principles of play' was a very creative player, but his games showcan have only a very limited significance. ... little evidence of a modem attitude towards de‑The ability to combine skilfully, the capacity to velopment, flank pawn advances, exchange sac‑find in each given position the most purposeful rifices, pawn-chains, backward pawns or anymove, soon leading to the execution of a well- number of other prominent features of modemconceived plan, is higher than any principle, or chess. He was also, as pointed out in SOMCS,more correct to say, is the only principle in the wedded to a dogmatic view of knight play. In‑game of chess which lends itself to precise defi­ terestingly, he has been called an adherent ofnitions"  the Classical School and a disciple of SteinitzThat's about as accurate a description as can (e.g., by Romanovsky), but also the first 'com‑be wished for of the philosophy of the modem puter player' (Spassky). Ultimately we must goanalytical school!       by the games and to a lesser extent annotations

12 CHESS STRATEGY IN ACTION


12   CHESS STRATEGY IN ACTION

such, take a standard King's Indian Defence,
Pirc Defence, or Dragon Sicilian. These all in‑
valve a kingside fan ghetto with ...g6 and
g7. Now White often lines up his queen and
bishop with IVd2 and e3; in that case playing
h6 to exchange bishops on g7 can be good for
any number of general reasons, e.g. because
Black has subsequent weakness on his dark
squares, because White' s centre will be pro‑
tested in the case of an ...exd4 exchange, or be‑
cause White's potential gain of space after d5
will be more effective. But the move h6 may
equally be bad, e.g., if it allows Black to ex‑
change off his only bad piece and block the
game, or if it diverts White' s queen from the
action, or if it helps Black to play ...c5 and at‑
tack a weakened centre. The reality is that such
a decision tends to be very subtle, ultimately
depending upon a great number of other less
obvious factors; e.g., how quickly Black can
play ...b5, whether a well-timed ...exd4 fol‑
lowed by ...c5 or ...Ze8 has tactical advantages,
whether White' s a3 will slow the attack or pro‑
vide a target, what reorganizations of pieces
are available to both sides, and so forth. From
many years of analyzing with top players, I be‑
live that with the aid of calculation they assess
this decision more or less instinctively based
upon experience and judgment, without re‑
sorting to verbal reasoning. Later, the move can
be explained to an audience using simplified
generalities. But going the other way, from
words to move, is extremely unlikely to pro‑
duce the right decision. And it is particularly
hard to act upon raw concepts. For example,
one might trade off time or development to se‑
cure some other positional advantage (an out‑
post, doubled pawn for the opponent). But one
question of many is: how much time/develop‑
mint can I give up before, e.g., a counterattack
becomes a problem? This is solved by some
combination of analysis and judgment, and
very seldom by abstract reasoning.
People commonly interpret what I've said
in terms of rules and exceptions, i.e., modem
players know the rules and have discovered the
exceptions. Or that a player should in fact learn
the rules first and then learn their exceptions.
But that's not what I'm saying at all. The point
is not whether there are X exceptions to every Y
instances in which the rule is true. Naturally
• • •
factors like space, outposts, and 'better' minor
pieces will always correlate, however mildly,
to winning percentage. Rather, I am asking:
a) Does a master think in terms of a given
rule (and exception) at all?
b) Is it even useful to think in those terms
when confronted with a specific position?
Granted, there are cases in which the sim‑
palest way to make my argument (and I have  
occasionally done so) is to point out that there are
so many exceptions to a particular traditional
rule that it becomes meaningless, and so by im‑
placation the modem player must not be using
it. An extreme case is one examined in Chap‑
ters 1 and 2, where I'm not sure whether the
rule 'The player with more space should avoid
exchanges (and vice-versa)' is true even 50% of
the time! But let's say that figure were 60% or
70%: it would still be terribly limiting to be
thinking about a prospective exchange in terms
of such a rule. Even when the rule expresses a
situation that is true in many more cases than
not (e.g., 'a knight on the rim is grim' ), is it con‑
structive to think in those terms? Or is it better
to examine the concrete situation in all of its
subtleties, without prejudice, using calculation
and pattern recognition as tools? Which does
the strong player do? In my observation and
from many conversations and analysis with
them, grandmasters don't think much in terms
of rules and exceptions at all. Indeed, in some
cases where they have done so, some quite
playable positions have escaped deserved con‑
side ration because of they 'looked' bad on gen‑
eral principle. Increasingly, that attitude is being
replaced by a pragmatic analytical approach.
Other models have been floated to deal with
these issues. One such is the idea that rules are
valid, 'other things being equal'. I won't go
into detail here, but the question in practice is
whether anyone can decide by explicit means to
what extent other factors in a typical middle game
are 'equal' . Since the diverse considerations are
interdependent and also time-dependent, and
since they can be so unbelievably complex, the
determination of what weight to give one ab‑
strict rule or another seems to me impossible in
almost all cases. Then there is the idea of as‑
sassing and utilizing explicitly identifiable im‑
balances. But juggling and weighing the many
and often subtle imbalances (and anticipated